Three materials · Thousands of finishes
Materials &
Finishes
Marble, Bronze and Stainless Steel. What each one looks like, how it is made, where it belongs in the Gulf, and how to look after it — with the work to prove it.
The Three
01 — 03
Side by side
Which Material?
Nine questions, three honest answers. Most pieces on the site can be made in any of the three — this is how to choose.
| Marble → | Bronze → | Stainless Steel → | |
|---|---|---|---|
| The look | Cool, veined, luminous. Reads as classical or minimal depending on the cut. | Warm, tactile, timeless. Absorbs light and settles into a room. | Bright, precise, contemporary. Reflects sky, water and the room. |
| Made by | Carving — one solid block, water-cooled saws then hand tools. | Casting — modelled, moulded, poured, chased and patinated. | Fabrication — laser-cut, rolled, welded, ground and polished. |
| Indoors | Ideal. Polished or honed, any stone. | Ideal. Any patina. | Ideal. Mirror needs a window to work with. |
| Outdoors, Gulf | Good under shade, honed and sealed. Full sun and hard water etch a high polish. | Excellent. Weathers gracefully; patina deepens with time. | Excellent in 316 grade. Salt air, pool chemistry and heat are all fine. |
| Near pools & water | Choose honed, seal properly, keep off the splash line. | Yes, with an annual wax. | Yes — the natural choice for the waterfront. |
| Weight | Heaviest. Solid; needs a pallet, often a crane. | Heavy but hollow-cast; sits between the two. | Lightest. Fabricated hollow; large pieces stay liftable. |
| Finishes | Honed, polished, fluted, carved. Colour comes from the stone itself. | Polished, champagne, antique brown, near-black, verdigris, gilt, woven. | Mirror, brushed, satin, graphite, banded, coloured coatings, woven. |
| Care | Dust; pH-neutral cleaner; reseal outdoors. | Dust; wax outdoors once a year. | Wipe with a soft cloth and mild soap. |
| Best for | Detail, figures, urns, mantels, fountains under cover. | Figures, organic forms, benches, anything meant to age. | Large forms, waterfront, minimal gardens, wall pieces. |
Start from the setting
Where Will It Live?
The setting narrows the material faster than taste does. Pick yours.
Seen every day, from the car and from the door.
Sun, splash and chlorine, all day.
Controlled light, controlled climate, close up.
Touched, leaned on, photographed, left alone for years.
Send us the site photo — we will tell you what the position can take before you fall for a piece.
Tuscolo · White MarbleAlkaid · Mirror 316 SteelCesello · BronzeRaha 150 · Polished Bronze
Across the three
Finishes At A Glance
Twelve of the surfaces we make most. Every one of them is on the wall in the studio.
Honed MarbleMatte, soft, hides wear. The outdoor choice.
Polished MarbleDeep gloss that shows every vein. Indoors.
Fluted & RibbedCut into the stone; shadow does the work.
Nero MarquinaBlack ground, white veins. Drama over detail.
Polished BronzeWarm gold, kept bright with wax.
Antique BronzeThe classical brown, hand-rubbed.
Near-Black PatinaChemically darkened, then waxed.
VerdigrisBlue-green patina, accelerated in the workshop.
Mirror 316True mirror inside and out. Coastal grade.
Brushed SteelDirectional satin; quiet, fingerprint-free.
BandedMirror and brushed on one form.
Coloured & WovenWire in colour — thousands of tones on request.
Our projects
Three Materials, Installed
The same team, the same drawings, three very different surfaces — in the rooms and gardens they were made for.
Living with it
Care, In One Line Each
Details before the decision
Questions We Get Asked
Can every piece on the site be made in every material?+
Almost. Carved figures and urns are stone or Bronze; welded and folded forms are Stainless Steel or Bronze. Where a material would compromise the piece, we say so and suggest the closer alternative.
Which material lasts longest outdoors in Dubai?+
Bronze and marine-grade 316 Stainless Steel both last generations with simple care. Marble performs beautifully under shade, honed and sealed; in full sun near water we usually steer to a metal.
Can you match a colour, a stone or a patina I have seen elsewhere?+
In most cases yes. We source stone to a named marble and vein character, and we sample patinas and coatings against your reference before production.
How do I see the finishes in person?+
Every surface on these pages is on the wall in our Al Quoz studio. Book a visit, or ask for a sample set to take to site.
Can two materials be combined in one piece?+
Yes — a Bronze seat on a Marble base, a mirror-steel form on a stone plinth. Contrast is often the point.
How is price affected by material?+
Stone is priced by block size and rarity, Bronze by casting volume, Stainless Steel by fabrication hours and finish. The same form can differ meaningfully across the three — we quote all three when it is useful.
Al Quoz 2, Dubai
Hold The Sample
Every stone, patina and finish on these pages is on the studio wall. Bring the drawings, sit with the samples, take them to the site.
The fourth material
The One We
Haven't Made Yet
Mixed materials, unusual stones, coatings we have not shown here. Send the reference and we will tell you what it takes to make it.
Partners & projects
